ABOUT TEAM STUDENTS BRIEFS ADMISSION
ANATOMY OF AN AI
Possibilities of AI representation in/of/for/with architecture.
Winter Term 2023/24
In order to understand the politics of AI images and to develop a finer way of looking at images, a study of drawings was created that examines the process of image creation by artificial intelligence. By questioning the composition of the images, where they originate from, what the drawings are actually made of and what exactly is going on in the way the AI draws on its libraries and tags, identifies certain aspects of images and then resembles them, we can decode the seamless assemblages the AI presents us with. Surrealism was interested in the way images, texts, etc. could provide access to dream-like, Freudian associations, and it utilised "automatic" processes to do so. In this workshop, Surrealism was performed in reverse. By interrogating AI images, identifying sources and examining the 'ecstasy of influence' all present in the assemblages, their origins and trajectories can be discovered.
By applying an avant-garde and psychological method of interrogation, we can begin to get under the skin of the technology. Do Androids Dream of Electric Sheep?" asked Phillip K. Dick in the novel on which Blade Runner is based. The workshop interpreted algorithmic dreams and examined the processes and meanings that mass data, computing power and networked culture can produce today. In other words, a techno-Freudian exercise!
Madelon Vriesendorp‘s drawing for Delirious New York drawn by artists of the Persian Empire,
©
Marlene Ortner
Section drawing of unité d’habitation
painted by Hariton Pushwagner
© Joel NIkles
© Joel NIkles
Salvador Dali painting of a Venetian McDonalds
©John Clayson
©John Clayson
Bergisel ski jump drawn by Aldo Rossi
© Jonas Ramoser
© Jonas Ramoser
Elevation of an old, ukrainian folk house
drawn by Zaha Hadid
© Yurii Brytov
La Fabrica by Ricardo Bofill drawn in the style of Le Corbusier,
© Marlene Ortner
© Marlene Ortner
Brutalist Rudolph Hall painted by Alex Katz
© Joel NIkles
© Joel NIkles
Soviet bus station by Ed Ruscha
© Joel NIkles
© Joel NIkles
Section of Retti candle shop drawn by Aldo Rossi
© Hoda Balouchi
© Hoda Balouchi
2d floor plan drawing of a parking space from Gustav Klimt
© Jonas Ramoser
© Jonas Ramoser
Traditional Malay vernacular timber hut drawn by Archizoom
© Mikael Ristmets
© Mikael Ristmets
Sketch of Villa Savoy drawn by Jean-Michel Basquiat
© Marlene Ortner
© Marlene Ortner
Plan drawing of a library drawn by Louis Kahn looking like Vanna Venturi House
© Hümeyra Cam
© Hümeyra Cam
Section drawing of Lebbeus Wood’s of a bus stop , clear lines
© Yurii Brytov
Minimalistic 2d plan of Bauhaus by Mikhail Filippov
© Sofie Wetten
© Sofie Wetten
Painting made by Gustav Klimt of a marshmallow model of habitat 67
© Morith Pfister
© Morith Pfister
Vanna Venturi’s house drawn in the style of
Yoshiyuki Sadamoto
© Marlene Ortner
© Marlene Ortner
Architectural drawing of a Christian church drawn by Estonian postmodern artist Sirje Lapin
© Mikael Ristmets
Elevation hand drawing of a gas station drawn by Andrea Palladio
© Maria Gross
© Maria Gross
Persepolis building section
redrawn
by Superstudio
© Melika Hadjarzadeh
© Melika Hadjarzadeh
Kowloon walled city facade drawing by Egon Schiele
© Erfan Khosravi
© Erfan Khosravi
A section drawing of Brunelleschi designing a basketball court
© Hümeyra Cam
© Hümeyra Cam
Black and white axonometric drawing of gothic and romanesque cathedral in ruins influenced by the aesthetics of 1980s estonian postmodern geometric architecture blown-off-roof perspective © Mikael Ristmets
Minimalsitic drawing of Barcelona Pavillion by Nadia Bronzova
© Sofie Wetten
© Sofie Wetten
Vanna Venturi house by Robert Venturi drawn by
David Hockney
© Marlene Ortner
© Marlene Ortner
Axonometric drawing of a Buddhist holy site in the style of 80s Estonian postmodernists
© Mikael Ristmets
© Mikael Ristmets
A tower in the style of Melnikov, elevation of a gas station,
shadow, drawing
© Maria Gross
© Maria Gross
Etching of a Beaux-Arts Gas Station, incorporating an eclectic mix of elaborate decorative Italian and French Renaissance elements, drawn by Superstudio,
© Hümeyra Cam
2d painting plan of Eames House by Alexander Brodsky
© Sofie Wetten
© Sofie Wetten
Traditional
Malay vernacular timber hut drawn by Superstudio
© Mikael Ristmets
© Mikael Ristmets